The new log format called D-log M, which is supported by both the main camera and the new 70mm camera, is designed to deliver “natural color gradations with delicate details” even in high-contrast situations like sunsets. It’s also easier to grade than typical log footage, according to DJI. The Mavic 3 Pro Cine model can shoot up to 10-bit 4:2:2 ProRes video, while the regular model can shoot 10-bit 4:2:0 (H.264/H.265) video.
In addition to the new 70mm camera, DJI has also improved the 7x (166mm equivalent) tele camera, boosting the aperture from f4.4 to f3.4, which should make it considerably better in low light. It also offers boosted video specs, up from 4K at 30p on the Mavic 3 to 4K/60fps.
